Kent Potters' Association Glaze Database
| Glaze Database | Glaze Calculator | Picture Gallery | KPA Shop | Events | Contact us |
Low Temperature
and Raku Glazes
(below 1000°C)
| Tim Proud's Black Raku Glaze | |||||||||||||
| Submitted by | Janet Jackson | ||||||||||||
| Recipe |
|
||||||||||||
| Formula |   | ||||||||||||
| Application and Firing | Apply by brush or pouring - useful in combination with other glazes. A bright lusterous black with heavy or light post firing reduction. | ||||||||||||
| Credits etc | Tim Proud | ||||||||||||
| Tony Foard's White Raku Glaze | |||||||
| Submitted by | Tony Foard | ||||||
| Recipe |
|
||||||
| Formula |   | ||||||
| Application and Firing | This is the white crackle glaze that I use on the insides of most of my raku bowls. | ||||||
| Credits etc | Potters tip - A good way of measuring small amounts of glaze if you only have a rudimentary set of scales and weights that are not small enough is to get £1 worth of pennies and use them as weights. | ||||||
| Blue-Black Lustre (Raku) | |||||||||||||||
| Submitted by | Angela Howe | ||||||||||||||
| Recipe |
|
||||||||||||||
| Formula |   | ||||||||||||||
| Application and Firing | |||||||||||||||
| Credits etc | This is based on an nameless recipe I found on the Web and messed around with! | ||||||||||||||
| Raku slip-resist | |||||
| Submitted by | Nichola Hanman | ||||
| Recipe |
|
||||
| Formula |   | ||||
| Application and Firing | Make a slip from 60% China clay, 40% flint. Mix to a full cream milk consistency and sieve five or six times. Apply to work at least 24 hours before glaze application. The glaze should be mixed to consistency of cream to liquid yoghurt. Fired to correct temp when the glaze has an "orange peel" effect. | ||||
| Credits etc |
Slip: Dave Roberts Glaze: Bill and Kate Jacobson Both from from Fired Up with Raku by Irene Poulton |
||||
| Clear Raku glaze | |||||||
| Submitted by | Susan Neal | ||||||
| Recipe |
|
||||||
| Formula |   | ||||||
| Application and Firing |
This is a clear base glaze. Add oxides for colour. Take out of kiln when bubbling in glaze smoothes out to a shiny surface, hold in air for short time then reduce in sawdust or paper. |
||||||
| Credits etc | Janet Lundie | ||||||